By Ralph Vazquez-Concepcion Raised Among the Dead, Taught by the Living I stood in the embalming room before I ever…
How Stereolab and Broadcast Shaped My Artmaking in the Late Atomic Age
In the echo chamber of memory, certain sounds crystallize—sounds not just heard but felt, like static electricity in a darkened…
eulogy for my father, Spring 2025
If our family exists, it is because of him. And there has never been a better time to reflect on…
The banality of evil, Winter 2025
In this urgent moment, where trans and immigrant community members are under relentless dehumanization and attacks, I find myself reflecting…
James Acord: Bridging art, science, and the nuclear age
James Leroy Acord (1944–2011) was a singular figure in contemporary art, known for his audacious integration of sculpture and nuclear…
Cooling towers, from symbols of fear to beacons of innovation, Winter 2025
As dusk descended and Puerto Rico plunged into another blackout, I flipped through materials on contemporary architecture, interactive design, and…
“Energy Beyond Borders,” a short story (2024)
The early afternoon sun cast a golden glow over Venice, its light fractured by the rippling waters of the canals.…
atomic flowers for peace, 2024
This piece reflects the dynamic tensions of our time—between destruction and renewal, fear and hope, the past and the future…
The hidden dangers lurking beneath San Francisco’s Hunters Point
The past at Thurgood Marshall High School, situated in the heart of San Francisco’s Bayview-Hunters Point district, is not merely…
Coloring outside the nuclear lines
I am excited that the incredible Mary and Jordan from the Nuclear Energy Institute interviewed me on the Fissionaries podcast.…